Surrounded by fine vineyards and olive groves, this garden in the Chianti hills hosts one of Italy’s most interesting open-air theatres, used today as in the past to stage plays, in which the architecture harmoniously blends with the plant elements.
In the 1530s, the turreted farmhouse here belonged to the Bandinelli family. It was enlarged and repurposed between 1768 and 1799, to mark Anton Domenico’s second marriage to Cecilia Chigi Zondanari. Closely related to the villa’s architecture, the garden layout dates back to that period. Enclosed at the back by the open-air theatre, the so-called piazzone is the most original element of the entire composition. Lined up with the building, it was built prior to 1783, the year when Vittorio Alfieri staged one of his tragedies here (the room where the poet stayed is furnished with a sumptuous canopied bed). The small theatre’s stage space is outlined by a ring-shaped set of double laurel hedges. The entrance is marked by two brick aedicule-propylaia which are topped with the Bianchi Bandinelli and Chigi Zondanari families’ coats of arms. Statues of
Highlights
The Holm Oak “Trellis”
In a landscape solution of great originality and beauty, the property is accessed through an extraordinary “trellis”, a tunnel of centuries-old holm oaks which is broken up by a circular space bordered by high topiary hedges.
The Villa’s Frescoes
In the late 18th century, Tyrolean painter Ignazio Moder theatrically illustrated a variety of aspects of country life and scenes from the Commedia dell’Arte in the long gallery on the ground floor. Perellino (a singer/musician mentioned by Vittorio Alfieri) is also portrayed there, as are his actress daughters.
Film Set
In 1995, Bernardo Bertolucci chose the villa as a location for a number of scenes in his film “Stealing Beauty”, in which the harmony of the Siena countryside is shattered by conflicts among the lead characters, who end up defeated by their experience of living out their rural idyll.
Theatre References
A number of references to the theatrical world feature in the villa’s furnishings and decor. Aedicule-propylaia, the symbol of the open-air theatre around which the villa is built, are reproduced on a number of chairs. The enclosing wall is characterized by a series of statues of putti and monkeys, animals traditionally used in theatrical representations; these are also repeated in the proscenium of the Garzoni di Collodi garden.